Nancy Argenta has distinguished herself internationally as one of the foremost sopranos of her generation. With a repertoire spanning three centuries, she has been hailed not only as the supreme Handel soprano of our age but also praised for her performances of works by composers as diverse as Mahler, Mozart, Schubert and Schoenberg. Her ability to adapt from large scale orchestral works to chamber music and recitals has earned her great recognition and respect within the world of music. She has worked with orchestras and leading conductors around the world, and has made over 50 recordings.

Rebecca is renowned as a baroque singer, with a voice described by one critic as "truly phenomenal - it was as if we were in heaven on an unrepeatable journey to the transcendental". Concert highlights have included most of the major works of Bach, Handel, Purcell, Haydn and Mozart with groups such as The Sixteen, Gabrieli Consort, English Consort, King's Consort. Rebecca has also made many recordings including Monteverdi Vespers, The Fairy Queen and Bach's Motets with the Hilliard Ensemble.

Now established in the front rank of interpreters of Purcell, Bach and Handel, Robin works with most of the distinguished conductors in the early music field, and regularly appears with The Academy of Ancient Music, Bach Collegium Japan, Collegium Vocale, The English Concert, The Gabrieli Consort, The King's Consort, Orchestra of the Age of Enlightenment, RIAS Kammerchor and The Sixteen. He has a fast-growing number of acclaimed recordings to his name, including a Bach Cantata Cycle, and Handel Oratorio Duets with the Orchestra of the Age of Enlightenment and Nicholas Kraemer.

Mark makes regular appearances on the concert platform and the operatic stage both in the UK and abroad, and has many CD recordings to his credit. Recent engagements have included Britten Folksongs with The Northern Sinfonia and Elgar's Dream of Gerontius in Tokyo, appearances with The Monteverdi Choir and Orchestra, The Hallé Orchestra, The Academy of Ancient Music, London Mozart Players, City of London Sinfonia, The Sixteen, as well as with English National Opera, Birmingham Opera, Welsh National Opera, and Glyndebourne.

Michael is firmly established as one of Britain's most versatile bass-baritones. He has appeared with all the leading UK orchestras and ensembles, has sung throughout Britain at all the major festivals and venues and has performed extensively abroad. Michael has also worked widely as a recording artist. He has performed frequently at The Bridgewater Hall, most recently with the Hallé Orchestra in Messiah.